Theatre and Film Studies 2007 vol.1
—Articles—
A Study of Erich von Stroheim on “probation period”
—History, Mode of Production, and David Wark Griffith—
Daisuke GOTOH 1

The imagined “Gunshin of the Shôwa era”:
The production process of Nishizumi senshachô den
Miyoko SHIMURA 25

The Making of the Nihon’eiga Sakuhintaikan
Yoh SATOU 45

A Study of the Basic Techniques of Dance Movements in Beijing Opera
in Taiwan:Focusing on the Characteristics of Body Part Expression
Tsan-Hsia FU 61

Resistance to the Society of the Spectacle: the “nikutai” in Murobushi Koˉ
Katja Centonze 85

Decentralisation and Cultural Policy: Examples of France and Lille
Shintaro FUJII 111

Local Cultural Policy Debates in France:
Rencontres d’Avignons in the 1960s
Yukiko NAGASHIMA 131

Changes in and Transmission of the Drama Tales of Li-Wa (Abstract)
Toshinori BAN 151

The Theatrical Movement among Taiwanese Intellectuals in the 1920s:
Analysis of the Weekly Magazine Taiwan Minpao
LiWan-Ju LI 167

“Huai-ju” opera in Shanghai: Focusing on its relation
to workers’ dramatics in the 1950s
Takafumi MORIDAIRA 197

Nishikigi —A Comparative Study of two English Translations of
Zeami’s Noh Play—
Mátrai Titanilla 215

Summary 233