Theatre and Film Studies 2007 vol.2
—Articles—
Theatrical exchanges with Aborigines: the Japanese presentation of Wesley Enoch’s Cookie’s Table
Keiji SAWADA 1

Different Phases of a Performing Body:
A Study of Aine Phillips’s “Red Wedding”
Sakauchi FUTOSHI 13

Polyrhythm in Waiting for Godot
Takeshi KAWASHIMA 27

Lumière sans source et ondoyante dans l’oeuvre de Samuel Beckett
Izumi NISHIMURA 41

Circle, Spiral, Straight Line — The Narrator’s “Winter Journey” in What Where
Noboru KATAOKA 57

The Reception of Operetta in Japan—On the Pieces of Offenbach’s Rivals—
Yoshiko MORI 85

A Dream of German Opera —An Examination of Robert Schumann’s Uncompleted Operas—
Suguru SATO 107

Figuration of Invisibility Manifestation of Another World in Lortzing’s Opera «Undine»
Etsuro HASEGAWA 127

What is the physicality of Angura?:Suzuki Tadashi’s Gekiteki naru mono wo megutte II(Concerning Things Dramatic, II)
Itsuki UMEYAMA 139

“Revue sketches” of Teigeki: the stages of Teigeki in the 1920s
Takashi HOSHINO 157

The Concept of Cruelty in the Works of Heiner Müller
Tamiko MURASE 173

Marivaux’s La Double Inconstance: “Découverte” of Society and the Self
Kaori OKU 187

Giraudoux and Strindberg: figures of dreams
Yukie MASE 209

Desire for “Drama”, or “Self-increasing Logos”: Venedikt Erofeev’s Unfinished Play “Dissidents, or Fanny Kaplan”
Rieko KAMIOKA 229

“Trace” and the Story Untold: The Anti-Autobiographical Desire in Ana Mendieta’s Performances
Michiyo MIYAKE 247

Shakespeare’s dramatic technique in the brothel scenes of Pericles
Miwa TSUJIKAWA 259

—Research Reports—
Impro - a new field of theatrical studies and communicational exercise/practise as well
Beate Wonde 281

Shakespearian Stage at the Beginning of the Nineteenth Century in London Theatre —The Impact of January 1814—
Kyoko MATSUYAMA 291

“Political Theatre” in disguise:Erwin Piscator’s Works in Exile (1931−1951)
Ken HAGIWARA 307

Summary 321