Theatre and Film Studies 2007 vol.3
-Articles-
On the performance of the reconstructed archaic play Okina
Akiko MIYAKE 1

A development of the amateur Noh players in Kaga clan
Kazumichi SATO 21

A Study of the Text of the Joˉruri monogatari emaki:Focusing on the Hand Scroll at the Art Institute of Chicago
Dai FUKAYA 41

The Role of the Mother in Kokusen’yakassen (The Battles of Coxinga)
Kim SOHYUN 59

On the Revival of the Original Version of Shinju¯ ten no amijima
by Chikamatsu Monzaemon
Tomoaki KOJIMA 69

Gempei-mono Joˉruri and Regional Legends: The Example of
Ayame no mae misao no yumihari and Nasu no yoichi saikai suzuri.
Risa ITO 89

The Rise of Bandoˉ Mitsugoroˉ III at the Beginning of the Bunka Era
Takeshi KANEKO 105

On Miyako dori nagare no shiranami
Misa UMETADA 131

Acoustic Conditions in Kabuki Theatres
Eiichi SUZUKI 151

—Research Reports—
The Genroku zoˉki (Genroku Notes): Materials of
the Kaga domain during MAEDA Tsunanori’s time – A supplement
Fumie EGUCHI, Kazumichi SATO, Yuriko AOYAGI,
Tomoya TANAMACHI, Atsushi IRIGUCHI, Mikio TAKEMOTO 165

The Emergence and Development of “Bun’ya-bushi” in Gidayuˉ-bushi
—From Saimyoˉji dono hyakuninjoroˉ to Hoˉjoˉ jirai ki—
Mizuki TAKUSAGAWA 195

On the recent performances of the Ehon taikoˉki (Bunraku)
Mikiko UCHIYAMA 213

On the Jôruri Haiyakusho iribon (scripts with cast annotations). I. A-ko.
Takeo KOZU 223

Summary 277