Theatre and Film Studies 2009 vol.2
—Articles (Reviewed)—
・On the ‘Spectators’ of the Workers’ Theatre Movement—What ‘Spectator’ and ‘Criticism’ Meant in the Shingeki Theatre Movement—
　　　Kouji UMEHARA 1
・Interpellation in Verona: Performing Desire and Death in Romeo and Juliet
　　　Mika EGLINTON 21
・A Study of the Role of a Planning and Producing Division in a ‘Creative Concert Hall’: A Case Study of the Hyogo Performing Arts Center
　　　Yoshiko SATO 33
・The Institutionalisation of Cooperation in the Decentralisation of French Cultural Policy —Local Cultural Facilities Management—
　　　Yukiko NAGASHIMA 49
・The Founding and Withdrawal of the Beijing Yue Opera Troupe: 1960−1961
　　　Takafumi MORIDAIRA 67
・The 1950s Peking Opera Reform Policy in China—the Prohibition and Re-opening of the Opera, Seen through Magazine Articles on Traditional Drama—
　　　Natsuko AKAGI 87
・The Bondman: A Tale of Three Cities—London, Tokyo, and Shanghai
　　　Mingjie WEI 109
・Tsubakihime, The Lady of the Camellias, and New Camellias—The Performances and Significance of The Lady of the Camellias
on the Japanese and Chinese Stage—
　　　Linghong CHEN 135
・Elaborate Investigation on the Hsi Tái Hou Wenmingxi (Civilized Drama)
　　　Yang XIANG 165

—Articles—
・Two Interpretations of Lao She’s Teahouse: The Productions by Jiao Juyin and Lin Zhaohua
　　　Hiroshi SETO 189
・From Kainan Mori, Rohan Koda and Rinpu Sasagawa to Wang Guo-wei (1)—Chinese Drama Research in the Meiji era—
　　　Shi-zhong HUANG 207
・Chang’an Guyue: Introduction to Its History and Current Condition
　　　Takuya SHIMIZU 229

Summaries 239