Theatre and Film Studies 2009 vol.3
Theatre and Film Studies 2009 vol.3
—Articles (Reviewed)—
・The Bigamy Act and All’s Well That Ends Well—Problem Play or Comedy?—
Safumi KAMIYAMA 1
・The Representation of Ruthlessness of the King in the Children’s Versions of Henry V in the Late 19th and Early 20th Centuries
Shinichi SUZUKI 17
・Comedy as a Device to Reveal the Theatricality of Society:Marivaux’s La Dispute
Kaori OKU 35
・God of Impossibility—Gordon Craig’s Distress in Drama for Fools—
Kohei KIKUCHI 53
・The ‘Tradition’ of the Impossibility of Representation in Studies on Antonin Artaud: after the ‘Artaud Affair’
Katsuhiro HORIKIRI 73
・A Study of the ‘Reverse’ in Hindemith’s Opera Hin und Zurück
Jin NAKAMURA 87
・Samuel Beckett’s Metaphors of the Camera Eye: Proust, Play and Not I
Yoshiko KISHIMOTO 109
・Waiting for Godot: Structure, Memories and Time
Youngsuk KYONG 127
・Samuel Beckett’s Radio Dramaturgy in All That Fall: Jung’s Effect on Beckett
Munetaka KUME 147
・Self-referentiality of the Eyes in Samuel Beckett’s Play and Film
Noboru KATAOKA 165
・Abe Kobo’s Debut in the Theatre—an Evaluation of His First Drama Doreigari [Slave Hunting]—
Yoko KIMURA 179
・Don Juan in the Old and New Worlds: The Coloniser’s Sexual Desire in Derek Walcott’s The Joker of Seville (1974)
Chihoko MATSUDA 199
・Know that You’re Whole: an Examination of the Structure and the Form of the Rock Musical Hedwig and the Angry Inch
Mayuko FUJIWARA 221
—Articles—
・Timeless Historical Opera: the Dual Structure of Lortzing’s Opera Armourer of Worms
Etsuro HASEGAWA 239
・Body and Theatre in ‘Circe’ of James Joyce’s Ulysses
Futoshi SAKAUCHI 251
・Patricia Burke Brogan’s Eclipsed (1988/1992): A Theatrical Challenge of the Magdalen Laundries
Mika FUNAHASHI 263
・Frank McGuinness’s Dark Masque: Speaking Like Magpies (2005)
Hiroko MIKAMI 283
・The Pohutukawa Tree: A Half-century of New Zealand Theatre and the Indigenous People
Keiji SAWADA 297
・Tsukkomi as a Strategy for Alienation in Kankuro Kudo’s Television Plays
Minako OKAMURO 313
Summaries 337