Theatre and Film Studies 2010 vol.1
—Articles (Reviewed)—
・Reception of Art Film in Imperial Russia through the Sounds of the Phonograph: Pathé-Frères, СИНЕ-ФОНО and Film d’Art
　　Masaki DAIBO 1
・The Role of Radio in American Film History: Before the Advent of Sound Films
　　Chie NIITA 23
・A Tentative Study of Kenji Mizoguchi’s The Story of the Last Chrysanthemums: Sound, Silence and Ghost Story
　　Yohei NAGATO 37
・Uchida Tomu’s History: Preliminary Discussion of the History Film Movement
　　Takafusa HATORI 61
・Noriko in the Mirror: Kakitsubata Koi no Mai in Banshun (Late Spring)
　　Akiko MIYAMOTO 75
・Re-reading Mallarmé’s Criticism of the Lost Ballet Viviane: Interpretation of Mallarmé’s Criticism
　　Yumi MURAKAMI 91
・Change in Quality of Sacrifice: Some Alterations in the Second Version of Le Sacre du printemps choreographed by Léonide Massine (1920)
　　Mariko KITAHARA 111
・Dance Activities and Trends of Kiseng in Korea during the Colonial Period
　　Yeonhee HEO 131
・Shibon: Analysis of Stage Setting
　　Kaho MIZUTA 155
・Experimental Method of Choreographing Dance in Judson Dance Theatre
　　Reishi WATANUMA 175
・Influence of American Post-modern Dance in France: Activity of Quatuor Albrecht Knust
　　Yuma OCHI 189
・Analysis of Performance in S/N (1994) by Using Structuralist Analysis of Narrative
　　Keiko TAKEDA 209

—Articles—
・Identification, Study and Impressions of Zhu Shou-Ju’s The Stormy Night: Important Clues to Supplement Chinese Silent Film History
　　Akinari SATO 229
・Humans and Things in Sadao Yamanaka’s ‘Trilogy’
　　Jinshi FUJII 249

Summaries 271