演劇博物館グローバルCOE紀要 演劇映像学2011 第5集
目　次

—Articles (Reviewed)—
This is The Ballad of Kutsukake, a Song of My Hometown: The Melodramatic In-between-ness of Kutsukake Tokijiro in 1929
Takafusa HATORI 1

Usurer, Jew, and Anatomist: Shylock in Disguise in the Trial Scene of The Merchant of Venice. Yuto KOIZUMI 17

Du type au personnage : caractéristiques et fonctionnements d’Arlequin dans les comédies de Marivaux
Kaori OKU 43

Dancing All the Way to the War: Disciplinary Power in Exercising to Music in Early Modern Japan Amane KASAI 65

Pantomime (1978), Trinidad Carnival, and Tourism as a New Colonial System
Chihoko MATSUDA 81

Performing ‘Women’ in ‘Asia’: Ong Keng Sen’s Shakespearean Trilogy— Lear, Desdemona and Search Hamlet
Mika EGLINTON 95

—Articles—
The Art of Colonial Husbandry: English Country-House Culture and Prospero’s Magic Banquet in The Tempest
Shinji YAMAMOTO 123

From Chink Okichi to the Judith of Shimoda: Brecht’s Incomplete Attempt to Adapt a Drama by Yuzo Yamamoto (2)
Takashi MARUMOTO 149

Vergangenheitsbewältigung in Japan und Deutschland —Am Beispiel von Bertolt Brecht, Koreya SENDA und Hisashi INOUE—
Hirokazu AKIBA 159

Continental Cities and Sound: Pinter in Three Films
Naoko YAGI 175

Summaries 199