フランツ・アントン・クラマー氏講演会
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開催概要
| 日時 | 2011年12月7日（水） 18:30～20:30 |
|---|---|
| 場所 | 早稲田キャンパス10号館1階105教室 |
| 主催 | 舞踊研究コース |
| 概要 | 早稲田大学演劇博物館グローバルＣＯＥ舞踊研究コースではフランツ・ アントン・クラマー氏をお迎えして『ドイツにおけるダンスシアターから コンテンポラリーダンスへ――ピナ・バウシュを超えて From Dance Theatre to Contemporary Dance: Beyond Pina Bausch』と題して、 講演会を開催いたします。クラマー氏は、ドイツにおいて批評家・ ジャーナリストとして活躍するとともに、研究者としてもドイツの舞踊研究を リードする研究者です。使用言語は英語ですが、クラマー氏は非常に 分かりやすい英語を話してくださるので是非足をお運び下さい。 講師：フランツ・アントン・クラマー 後援：Goethe-Institut Villa Kamogawa  使用言語：英語 内容： The term and the concept of Tanztheater, Dance Theatre date back to the 1920s and the time of passionate debates in Germany about the status and the relevance of dance as an independ-ent art form. While the late Pina Bausch became a lead figure in post-war development with her style of Dance Theatre as an eclectic and socially engaged form of presenting movement, bodies, and contexts in a theatrical frame, other artists have been active, too. They worked on the elaboration of new forms, beyond the institutional and the representa-tional. What has come to be called Contemporary Dance is now a vast field of investigations, practices and performances that can hardly be subsumed under just one label. It is within this tremendous plethora of possibilities that today’s choreographers develop their responses to a history of dance which is always also theirs, even though intangible in nature and legendary in scope. The lecture aims to present an historic outlook on the varying necessities of dance making in the German context, their results, and their possible contributions to a “hybrid presence” that would reconfigure, as it were, the relationship between past aesthetics, future utopia, and the time of the Now which frantically expands in a world of simultaneity and restlessness. Excerpts of signature pieces in contemporary dance since the 1980s will illustrate the hy-potheses presented. 講師プロフィール Franz Anton Cramer is fellow at the College international de philos-ophie in Paris, France and teaches at the University of the Arts in Berlin, Germany. He was managing director of the Dance Archives in Leipzig, Germany, and researcher in residence at the Centre na-tional de la danse near Paris, France. Since 2007 he has been pro-ject coordinator for the National Dance Heritage programme launched by Tanzplan Deutschland. Recent publications include the study .Total Freedom. Cultures of Dance in France between 1930 and 1950“ (2008), and the internet platform on dance, www.digitaler-atlas-tanz.de (2011). From September to December 2011 he is artist-in-residence at the Goethe-Institut Villa Kamoga-wa, in Kyoto. |
